Tag Archives: elton john

Alice In Chains: The Gospel According To Jerry Cantrell

An article from Metal Hammer

Alice In Chains: The Gospel According To Jerry Cantrell

The Alice In Chains guitarist and sometime singer on staying alive, Seattle, Elton John as an inspiration and wanting to be Ace Freshley

This article originally appeared in Metal Hammer #250.

IT WAS ELTON JOHN THAT GOT ME INTO MUSIC. I wish I could remember which song it was. He was the first artist I started listening to and he’s one of the greatest of all time. Great song writing, a lot of feeling, amazing lyrics… even before I understood what it was about.

RED CARPETS ARE ALWAYS WEIRD, IT’S ALWAYS UNCOMFORTABLE. It’s cool that your peers or your fans or the industry recognise you. As far as numbers and winning awards, that’s nice, but it ain’t why I do this. We’ve had a lot of success and I guess those achievements speak better than a hunk of plastic or metal that sits on your mantel.

IF YOU’VE FOLLOWED US OVER THE YEARS YOU’LL GET OUR SENSE OF HUMOUR. You’ve probably seen us making asses out of ourselves on Headbanger’s Ball, and I think any band can relate to that. We’re not the cornerstone on having a good time or being smart asses! I guess everybody took the music very seriously, even though we didn’t take ourselves as seriously as we took the music! That certainly came across with all of the bands of our era and it wasn’t just in Seattle, it was all over the world.

I DON’T EVEN REMEMBER THE FIRST GUITAR I BOUGHT. It was maybe a Korean-made Strat from a swap meet. I bought my first real guitar on payments when I was working in a music store in Texas – I was about 18. I still have it. It’s the one most people recognise me playing – a 1984 G&L Rampage.

WE STARTED DOING ACOUSTIC STUFF EARLY IN OUR CAREER WITH SAP AND JAR OF FLIES. That was a side of music we explored early on, and people accepted that. If you take away the amplification and the distortion, there’s some really strong, simple songs. Any band should ask if you take everything away, does it still work? And that tells you whether it’s a good song or not. Take away all the tricks and special effects, is it still a good song with just a voice and a guitar?

I USED TO JAM WITH GUYS WHO WERE FAR BETTER THAN ME. Probably because I was always interested in learning and getting better, so I’d try to learn from them, and it seemed to work out pretty good! They were a couple of years older than me, maybe had a band and had done gigs, and I’d hang out with them until I was on their level or surpassed them, just absorbing as much as I could. Then when I felt it was time to move on, I’d do that, until I met the guys in Alice.

GRUNGE WAS NEVER A POPULAR WORD FOR ANY OF US FROM SEATTLE. Before that word, it was referred to as the ‘Seattle Sound’, and I liked that because, although we were all unique, there was definitely a kind of ethos, a bunch of kids making noise and playing bars and parties. All the Seattle bands shared that, because it was such a small town and we all went to each other’s gigs and hung out with each other.

WHEN I WAS A KID I WANTED TO BE ANGUS YOUNG OR ACE FREHLEY. Kiss get a lot of flak, it’s very fashionable to slag them off, but I think they were a very important band in rock history. They certainly were for me, when I was younger. They had good, basic rock songs, and nobody had that larger than life persona. For a young kid that was an important period. Those old records have some amazing songs.

EVERYBODY’S GOT A LITTLE BIT OF A DRIVE TO BEAT MORTALITY. Whether it’s having kids to live on after you or whatever. I don’t know if our music’ll be around forever, but it’ll probably be around for longer than me! A lot of achievements are based on that primal urge I guess. I’m glad people still dig it, and I’m aware of how rare that is, especially to get second chances. It’s funny to think the thing that you did to avoid having a job became your life’s work… the thing you created with your friends all those years ago took on a life of its own. You continue to give it life by recording and touring, but it’s kind of its own thing. A good example of that is when our band was very inactive when Layne passed. We weren’t around, but the music was still out there.

Advertisements

Jerry Cantrell About Saying Goodbye To Layne Staley

Today would be Layne Staley’s 49th birthday… On this sad occasion let me quote Jerry Cantrell talking about the way he was coping with the death of his bandmate.

Alice In Chains guitarist Jerry Cantrell says he still has a hard time listening to the Black Gives Way To Blue, the group’s 2009 tribute to their original frontman Layne Staley.

After struggling with severe drug addiction, Staley died in his Seattle apartment in April 2002 from a mixture of heroin and cocaine while the band were on hiatus.

The remaining members regrouped in 2005 for a three-year run of reunion shows that featured a variety of singers, including former Madfly and Comes With The Fall vocalist William DuVall, who joined Alice In Chains in the studio for their 2009 comeback album Black Gives Way To Blue.

The project’s title track saw a guest appearance by Elton John on piano as the band offered a public goodbye to their fallen bandmate.

Cantrell exclusively tells the latest edition of Metal Hammer: “That song really set it in stone, because we had to properly address Layne’s death and say goodbye to our friend. We had done it privately, but if we were going to do this, we had to do it publicly. It’s a beautiful song and it’s still really tough for me to listen to.”

source

The song, which features Elton John on piano, doesn’t specifically mention Staley, but it’s not hard to make the connection to him, particularly with the last verse. “Curtains drawn, now it’s done / Silencing all tomorrows / Forcing a goodbye.”

Staley died of a fatal mixture of heroin and cocaine on April 5, 2002. His body was discovered two weeks later in his Seattle apartment that was littered with drugs and drug paraphernalia. In his hand was a syringe with another dose of heroin. Although Alice in Chains had not broken up, they had been mostly inactive since they opened up for Kiss in July 1996, with a couple of songs recorded in 1998 as Staley’s last sessions with the band.

At the time of his death, Staley weighed only 86 pounds. Coincidentally, it was eight years to the day that the biggest star of the Seattle alternative scene of the early ’90s, Kurt Cobain of Nirvana, died of a self-inflicted shotgun blast.

source

aic1

Zapisz

Zapisz